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Queen's Hall Digital is an online exhibition portal for new work and innovative projects. It focuses on creating opportunities for artists working with digital and moving image technologies and aims to build and connect an international community of artists to local and national audiences.
Will Hurt
For "Memory Houses" Will Hurt recorded his mother talking about a house she grew up in when she was young. The audio clips are then reordered in realtime by a generative algorithm to produce new descriptions of potential houses.
Lucy Pawlak
Lucy Pawlak is an artist who creates playful and surprising work with moving image and live performance. She works with remote and internet streaming technologies, asking questions about how we live and act together. The World Distributed University of Distance Learning and Remote Experience (W.D.U.D.L.R.E.) is a fictional university created by Lucy to provide "non-traditional non-residential transformational experiences, programmes, research, education and development in an information society."
Luke W Robson
The Cave presents three separate, but intrinsically-linked landscapes of an impossible, apocalyptically sublime world. Here, the illusion of control is placed upon the viewer as they navigate around these digital panoramas
Kit Haigh
'Traces' by Kit Haigh features photographs of trace fossils found in split sandstone roof tiles at Green Croft, on Hadrian's Wall. They are the marks made by invertebrates as they foraged in the sand around 300 million years ago - over 30 million years before dinosaurs existed.
Gobscure
playlists for survival is all about sounds/musics that keep us going thru dark times our favourite sounds include wind turbines, heart-beats, curlews, waterfalls and waves, 'nkosi sikelele afrika' sung during anti-apartheid supermarket boycotts, our first punk gig, sainkho namchylak (leo records is our favourite music label of all time), carla bleys anarchic big band jazz escalator over the hill on broken radio as teen, john peel radio shows, mahler allowing us to grieve, electro-acoustic composer pete stollery sampling a pile of coat-hangers for us in performance, omit (electronics outta aotearoa), one of the most focused gigs was kaia kater singing against slavery, perhaps the most transcendental? oysterband or rokia traore
Anna Macdonald
Anna Macdonald is a moving image artist and scholar from the UK, who specialises in working directly with the public. Influenced by Mark Johnson's (2008) notion of bodily 'schema,' she is interested in using film to expose the emotional and conceptual resonance of simple actions such as, moving from 'here to there', 'unfolding' or 'getting slower'.
Isabella Martin
TIMEPIECE is a speculative water clock experiment. Different stoneware vessels are tested, trialled and trained as measurement of time. Echoing the shape of a clock face or the moon, it offers another way of keeping track from this moment to the next.
Jayson Haebich
Digital Geology. Jayson Haebich is a London based artist and researcher who is interested in the intersection of art, technology and science. He investigates how substances, materials and processes move between different layers of the physical, digital and ontological world.
Ed Murray
Ed Merlin Murray is an artist, illustrator, and animator based in Northumberland. His work is primarily rooted in drawing, often using analog media, but in recent years he has moved into animation, and is proficient in both digital and traditional methods.
Sveltana Ochkovskaya
I make immersive, disorientating, otherworldly installations and costumes; mythic representations of my world view. Inhabited by a creature that is neither human nor alien, real or imaginary, these glowing environments and tactile costumes bend the fragile boundaries of our perceived reality.In my work I want to make familiar things unfamiliar, to remove the normal life experiences, from familiar associations, to turn it over and to displace it. I would like to give everyday experiences a new meaning, to change the way we perceive the things around us.
Maxi Smith
Querencia was made as a feminine parody on bull fighting. By replacing the matador with a ribbon dancer and the bull with a cat, Smith questions the spectacle of this controversial tradition, substituting bravado for subtler actions.
Erin Dickson
More Gnarly Illusions is a multi-channel video documenting the mistranslated lyrics of the traditional North East folk song When the Boat Comes In. Working with local musician Alex Campbell, Dickson uses dictation software to transcribe Geordie singing into received pronunciation, the standard accent as spoken in the south of England. The video depicts three iterations of the performer singing progressively incomprehensible lyrics. More Gnarly Illusions highlights idiosyncrasies of the Geordie dialect, its position within British culture and the worry of being misunderstood.
Neale Willis
Let us think for a moment about a photograph. No longer the result of a series of chemical reactions in a darkened room but an interpretation of binary data turning on and off an amount of small coloured lights. Today a photograph is only a photograph because the decoding algorithm running on a computer says it is - it could just as easily be a sound, video or 3D model if decoded that way.
Jim Lloyd
This work uses the principle of an aeolian harp which was constructed for this project on a hill overlooking the town of Hexham. Sounds are generated when wind and rain cause wires to vibrate, varying with wind speed and direction; these vibrations are picked up with contact microphones.
James Hutchinson
James Hutchinson was born in 1968 in London. He graduated in Painting from Chelsea College of Art and Design (1990) and in Fine Art Printmaking from the Royal College of Art (1998). He is a Senior Lecturer in Fine Art at the University of Sunderland.
Kate Frances Lingard
This commission takes the form of an empty glasshouse, rendered in 360 for browser viewing, built as a playful exploration of tools and coping mechanisms used to understand illness.
Sean Cotterill
[a machine that] feels like truth is a small work investigating the use of Virtual Reality to examine human issues, particularly centering around virtual reality as an 'Empathy Machine'. The work performs a poor 'simulation' of virtual reality on a web browser where the mouse is used to juxtapose and explore various media items concerning the use of VR, including news articles, videos, legal documents and critical essays - with the aim of promoting a critical discussion around the suitability of Virtual Reality as a medium for addressing deeply-entrenched structual issues.
